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Of all the beautiful women of history, none has left us such convincing
proofs of her charms as Cleopatra, for the tide of Rome's destiny, and,
therefore, that of the world, turned aside because of her beauty. Julius
Caesar, whose legions trampled the conquered world from Canopus to the
Thames, capitulated to her, and Mark Antony threw a fleet, an empire and
his own honor to the winds to follow her to his destruction. Disarmed at
last before the frigid Octavius, she found her peerless body measured by
the cold eye of her captor only for the triumphal procession, and the
friendly asp alone spared her Rome's crowning ignominy.
The story of Cleopatra is a story of crime. It is a narrative of the
course and the consequences of unlawful love. In her strange and
romantic history we see this passion portrayed with the most complete
and graphic fidelity in all its influences and effects; its
uncontrollable impulses, its intoxicating joys, its reckless and mad
career, and the dreadful remorse and ultimate despair and ruin in which
it always and inevitably ends.
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